The Wire Schauspieler
Finde alle Informationen zur Besetzung das Staffel 1 von The Wire: Schauspieler, Regisseur und Drehbuchautoren. Fans können den interessanten Darsteller auch in der erst kürzlich gestarteten Serien „Gotham“ sehen und auch mit Dominic West traf er für die. Finde alle Informationen zur Besetzung das Staffel 2 von The Wire: Schauspieler, Regisseur und Drehbuchautoren.
The Wire - DarstellerThe Wire - Darsteller. 0. Foto: Der Großteil des wohl umfangreichsten Casts einer Dramaserie in der TV-Geschichte war vor dem Einstieg in die Serie unbekannt. Fans können den interessanten Darsteller auch in der erst kürzlich gestarteten Serien „Gotham“ sehen und auch mit Dominic West traf er für die. Ein Blick in den Kampf von Justiz und Polizei gegen Kriminalität in Baltimore: Diverse neu gegründete Spezialeinheiten stellen sich gegen die Kriminellen der Stadt - mit geringen finanziellen Mitteln und sparsamer Besetzung. Politische.
The Wire Schauspieler Komplette Besetzung von The Wire Video'Clueless' Reunion Includes Alicia Silverstone, Others: Cast Remembers Movie, Brittany Murphy Death They opt to retire. Stadlandfluss September 4, While he thought about becoming Höchste Zahl Roulette actor, he also thought of Gehe zu:. Ein Blick in den Kampf von Justiz und Polizei gegen Kriminalität in Baltimore: Diverse neu gegründete Spezialeinheiten stellen sich gegen die Kriminellen der Stadt - mit geringen finanziellen Mitteln und sparsamer Besetzung. Politische. The Wire ist eine US-amerikanische Krimi-Drama-Fernsehserie, die von 20in Standen Schauspieler der Kamera im Weg, wurde die Kamera bewegt, damit sich die Schauspieler auf die Rolle konzentrieren konnten. Der Film-. The Wire Schauspieler, Cast & Crew. Liste der Besetung: Dominic West, Michael Kenneth Williams, Idris Elba u.v.m. Finde alle Informationen zur Besetzung das Staffel 1 von The Wire: Schauspieler, Regisseur und Drehbuchautoren.
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HBO was initially doubtful about including a police drama in its lineup but agreed to produce the pilot episode. He hoped the show would change the opinions of some viewers but said that it was unlikely to affect the issues it portrays.
The casting of the show has been praised for avoiding big-name stars and using character actors who appear natural in their roles.
Wendell Pierce , who plays Detective Bunk Moreland , was the first actor to be cast. Dominic West , who won the ostensible lead role of Detective Jimmy McNulty , sent in a tape he recorded the night before the audition's deadline of him playing out a scene by himself.
Williams got the part of Omar Little after only a single audition. Ehrlich Jr. Frank M. Jay Landsman , a longtime police officer who inspired the character of the same name ,  played Lieutenant Dennis Mello.
More than a dozen cast members previously appeared on HBO's first hour-long drama Oz. Chew , Delaney Williams , and Benay Berger. Alongside Simon, the show's creator, head writer , showrunner , and executive producer , much of the creative team behind The Wire were alumni of Homicide and Primetime Emmy Award -winning miniseries The Corner.
The Corner veteran, Robert F. Colesberry , was executive producer for the first two seasons and directed the season 2 finale before dying from complications from heart surgery in He is credited by the rest of the creative team as having a large creative role for a producer, and Simon credits him for achieving the show's realistic visual feel.
Thorson joined him on the production staff. Stories for the show were often co-written by Burns, who also became a producer in the show's fourth season.
Alvarez is a colleague of Simon's from The Baltimore Sun and a Baltimore native with working experience in the port area. Zorzi joined the writing staff in the third season and brought a wealth of experience to the show's examination of Baltimore politics.
Overmyer was brought into the full-time production staff to replace Pelecanos who scaled back his involvement to concentrate on his next book and worked on the fourth season solely as a writer.
The directing has been praised for its uncomplicated and subtle style. Each episode begins with a cold open that seldom contains a dramatic juncture.
The screen then fades or cuts to black while the intro music fades in. The show's opening title sequence then plays; a series of shots, mainly close-ups, concerning the show's subject matter that changes from season to season, separated by fast cutting a technique rarely used in the show itself.
The opening credits are superimposed on the sequence, and consist only of actors' names without identifying which actors play which roles. In addition, actors' faces are rarely seen in the title sequence.
At the end of the sequence, a quotation epigraph is shown on-screen that is spoken by a character during the episode. The three exceptions were the first season finale which uses the phrase "All in the game", attributed to "Traditional West Baltimore", a phrase used frequently throughout all five seasons including that episode; the fourth season finale which uses the words "If animal trapped call " written on boarded up vacant homes attributed to "Baltimore, traditional" and the series finale , which started with a quote from H.
Mencken that is shown on a wall at The Baltimore Sun in one scene, neither quote being spoken by a character. Progressive story arcs often unfold in different locations at the same time.
Episodes rarely end with a cliffhanger , and close with a fade or cut to black with the closing music fading in. When broadcast on HBO and on some international networks, the episodes are preceded by a recap of events that have a bearing upon the upcoming narrative , using clips from previous episodes.
Rather than overlaying songs on the soundtrack, or employing a score, The Wire primarily uses pieces of music that emanate from a source within the scene, such as a jukebox or car radio.
This kind of music is known as diegetic or source cue. This practice is rarely breached, notably for the end-of-season montages and occasionally with a brief overlap of the closing theme and the final shot.
During season finales, a song is played before the closing scene in a montage showing the lives of the protagonists in the aftermath of the narrative.
John and performed by Paul Weller and the fifth uses an extended version of "Way Down In The Hole" by the Blind Boys of Alabama, the same version of the song used as the opening theme for the first season.
While the songs reflect the mood of the sequence, their lyrics are usually only loosely tied to the visual shots. In the commentary track to episode 37, " Mission Accomplished ", executive producer David Simon said: "I hate it when somebody purposely tries to have the lyrics match the visual.
It brutalizes the visual in a way to have the lyrics dead on point. Yet at the same time it can't be totally off point.
It has to glance at what you're trying to say. The writers strove to create a realistic vision of an American city based on their own experiences.
Burns served in the Baltimore Police Department for 20 years and later became a teacher in an inner-city school. Their combined experiences were used in many storylines of The Wire.
Central to the show's aim for realism was the creation of truthful characters. Simon has stated that most of them are composites of real-life Baltimore figures.
In distinguishing the police characters from other television detectives, Simon makes the point that even the best police of The Wire are motivated not by a desire to protect and serve, but by the intellectual vanity of believing they are smarter than the criminals they are chasing.
While many of the police do exhibit altruistic qualities, many officers portrayed on the show are incompetent, brutal, self-aggrandizing, or hamstrung by bureaucracy and politics.
The criminals are not always motivated by profit or a desire to harm others; many are trapped in their existence and all have human qualities.
Even so, The Wire does not minimize or gloss over the horrific effects of their actions. The show is realistic in depicting the processes of both police work and criminal activity.
There have even been reports of real-life criminals watching the show to learn how to counter police investigation techniques. In a December Washington Post article, local African-American students said that the show had "hit a nerve" with the black community and that they themselves knew real-life counterparts of many of the characters.
The article expressed great sadness at the toll drugs and violence are taking on the black community. Many important events occur off-camera and there is no artificial exposition in the form of voice-over or flashbacks , with the exceptions of two flashbacks — one at the end of the pilot episode that replays a moment from earlier in the same episode and one at the end of the fourth season finale that shows a short clip of a character tutoring his younger brother earlier in the season.
Thus, the viewer needs to follow every conversation closely to understand the ongoing story arc and the relevance of each character to it.
Salon has described the show as novelistic in structure, with a greater depth of writing and plotting than other crime shows.
Simon chose this structure with an eye towards long story arcs that draw in viewers, resulting in a more satisfying payoff. He uses the metaphor of a visual novel in several interviews,   describing each episode as a chapter, and has also commented that this allows a fuller exploration of the show's themes in time not spent on plot development.
Simon described the second season as "a meditation on the death of work and the betrayal of the American working class Writer Ed Burns , who worked as a public school teacher after retiring from the Baltimore police force shortly before going to work with Simon, has called education the theme of the fourth season.
Rather than focusing solely on the school system, the fourth season looks at schools as a porous part of the community that are affected by problems outside of their boundaries.
Burns states that education comes from many sources other than schools and that children can be educated by other means, including contact with the drug dealers they work for.
Simon has identified the organizations featured in the show—the Baltimore Police Department , City Hall, the Baltimore public school system , the Barksdale drug trafficking operation , The Baltimore Sun , and the stevedores ' union—as comparable institutions.
All are dysfunctional in some way, and the characters are typically betrayed by the institutions that they accept in their lives.
Simon described the show as "cynical about institutions"  while taking a humanistic approach toward its characters.
Central to the structure and plot of the show is the use of electronic surveillance and wiretap technologies by the police—hence the title The Wire.
Salon described the title as a metaphor for the viewer's experience: the wiretaps provide the police with access to a secret world, just as the show does for the viewer.
The Wire employs a broad ensemble cast, supplemented by many recurring guest stars who populate the institutions featured in the show.
The majority of the cast is black, which accurately reflects the demographics of Baltimore. The show's creators are also willing to kill off major characters, so that viewers cannot assume that a given character will survive simply because of a starring role or popularity among fans.
In response to a question on why a certain character had to die, David Simon said,. We are not selling hope, or audience gratification, or cheap victories with this show.
The Wire is making an argument about what institutions—bureaucracies, criminal enterprises, the cultures of addiction, raw capitalism even—do to individuals.
It is not designed purely as an entertainment. It is, I'm afraid, a somewhat angry show. The major characters of the first season were divided between those on the side of the law and those involved in drug-related crime.
The investigating detail was launched by the actions of Detective Jimmy McNulty Dominic West , whose insubordinate tendencies and personal problems played counterpoint to his ability as a criminal investigator.
The detail was led by Lieutenant Cedric Daniels Lance Reddick who faced challenges balancing his career aspirations with his desire to produce a good case.
Kima Greggs Sonja Sohn was a capable lead detective who faced jealousy from colleagues and worry about the dangers of her job from her domestic partner.
Her investigative work was greatly helped by her confidential informant , a drug addict known as Bubbles Andre Royo. The duo's initially violent nature was eventually subdued as they proved useful in grunt work, and sometimes served as comic relief for the viewer.
Freamon, seen as a quiet "house cat", soon proved to be one of the unit's most methodical and experienced investigators, with a knack for noticing important details and a deep knowledge of public records and paper trails.
Prez faced sanction early on and was forced into office duty, but this setback quickly became a boon as he demonstrated natural skill at deciphering the communication codes used by the Barksdale organization.
These investigators were overseen by two commanding officers more concerned with politics and their own careers than the case, Deputy Commissioner Ervin Burrell Frankie Faison and Major William Rawls John Doman.
Assistant state's attorney Rhonda Pearlman Deirdre Lovejoy acted as the legal liaison between the detail and the courthouse and also had a sexual relationship with McNulty.
In the homicide division, Bunk Moreland Wendell Pierce was a gifted, dry-witted, hard-drinking detective partnered with McNulty under Sergeant Jay Landsman Delaney Williams , the sarcastic, sharp-tongued squad supervisor.
Peter Gerety had a recurring role as Judge Phelan, the official who started the case moving. On the other side of the investigation was Avon Barksdale 's drug empire.
Williams , and Wallace Michael B. Jordan , all street-level drug dealers. Omar Little Michael K. Williams , a renowned Baltimore stick-up man robbing drug dealers for a living, was a frequent thorn in the side of the Barksdale clan.
Vondas was the underboss of a global smuggling operation, Russell an inexperienced port authority officer and single mother thrown in at the deep end of a multiple homicide investigation, and Frank Sobotka a union leader who turned to crime to raise funds to save his union.
As the second season ended, the focus shifted away from the ports, leaving the new characters behind. The third season saw several previously recurring characters assuming larger starring roles, including Detective Leander Sydnor Corey Parker Robinson , Bodie J.
Williams , Omar Michael K. Williams , Proposition Joe Robert F. Colvin commanded the Western district where the Barksdale organization operated, and nearing retirement, he came up with a radical new method of dealing with the drug problem.
Proposition Joe, the East Side's cautious drug kingpin, became more cooperative with the Barksdale Organization. Sydnor, a rising young star in the Police Department in season 1, returned to the cast as part of the major crimes unit.
Bodie had been seen gradually rising in the Barksdale organization since the first episode; he was born to their trade and showed a fierce aptitude for it.
Omar had a vendetta against the Barksdale organization and gave them all of his lethal attention. New additions in the third season included Tommy Carcetti Aidan Gillen , an ambitious city councilman; Mayor Clarence Royce Glynn Turman , the incumbent whom Carcetti planned to unseat; Marlo Stanfield Jamie Hector , leader of an upstart gang seeking to challenge Avon's dominance; and Dennis "Cutty" Wise Chad Coleman , a newly released convict uncertain of his future.
The characters are friends from a West Baltimore middle school. Another newcomer was Norman Wilson Reg E. Cathey , Carcetti's deputy campaign manager.
The fifth season saw several actors join the starring cast. Gbenga Akinnagbe returns as the previously recurring Chris Partlow , chief enforcer of the now dominant Stanfield Organization.
Neal Huff reprises his role as Mayoral chief of staff Michael Steintorf , having previously appeared as a guest star at the end of the fourth season.
Two other actors also join the starring cast having previously portrayed their corrupt characters as guest stars— Michael Kostroff as defense attorney Maurice Levy and Isiah Whitlock Jr.
Crew member Clark Johnson appeared in front of the camera for the first time in the series to play Augustus Haynes , the principled editor of the city desk of The Baltimore Sun.
The first season introduces two major groups of characters: the Baltimore Police Department and a drug dealing organization run by the Barksdale family.
The season follows the police investigation of the latter over its 13 episodes. Shooting Witness Lizan Mitchell Episode : 7.
Ilene Nathan Susan Rome Episoden : 11 - Marvin Browning Jeorge Watson Episode : Randall Frazier Erik Dellums Episode : 6. Ray Cole Robert F.
Colesberry Episode : 6. Stash house man Barry Bradford Episode : George Pelecanos. Rafael Alvarez. David Simon II.
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